Since the appearance of the Soviet regime, the tattoo was recognized as
a bourgeois hobby, was condemned and remained in the status of an attribute of
the criminal world, tenaciously holding on to their own traditions. It should
be noted that in the 20's, the transformation of the criminal world of the Soviet Union and the emergence of many camps, led to the
fact that the criminal tattoo changed. New motives appeared artistic and
anti-communist protest tattoos. Abbreviations and symbols of a new community of
thieves had changed. During the recovery of criminal romance in the middle of
the 20th century traditions did not undergo changes until the collapse of the Soviet Union. The emergence of new trends in the 80’s led
to skepticism and sometimes outright aggressive attitude, occasionally spilling
out to clarification of the relationship between subcultures and the criminals,
but by the end of the 80’s, innovator tattooing trends found common points of
understanding on the basis of anti-social position in relation to the
semi-official organs, and further progress of artistic aspects of tattooing did
not cause much protest. The last boom associated with the old traditions fell
at the beginning of the 90s, when due to the amnesty a mass the criminals
started covering the old motives with art tattoos. In the late 20th century due
to the transformation of society and the relationship the old traditions began
to fade away despite some attempts to modernize the style. Currently criminal
tattoo of the USSR,
which developed in isolation from the outside world, is in a status of being complete,
self-sufficient, but perhaps the history of body painting is unfinished.
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