In the early 80-s the aftersounds of hip-hop movement reached the soviet
youth and found its manifestation in form of the “breakers” movement (by the
arbitrary domestic definition of dancing style). Being initially a lifestyle that combined skateboarding
with disco dancing, this style was represented by not numerous fashionable
student circles and “gilded youth” from the South-West of Moscow. But already by
the mid 80-s after opening of the youth cafes and release of the movie “Dances
on the Roof”, breakers were introduced particularly as dancing culture with
their own exterior experiments. The most famous hangouts of skaters were
Krylatskoye and Gagarin Square, and real breakers hung out in iconic place for
Moscow disco scene “Moloko” (Milk) (café
by the Fountain in the Olympic Village) and in the Gorky Park. The second wave of
breakdance started after formalization of the first and was actually a street
subculture, that was performing at a time at the dance festivals and on the
streets, finding certain local specific
features in appearance and dancing. The third wave of break was generated by
the rising generation of spivs and hucksters around 88-89, during the period of
confrontation between radicals and “lyuberas” (bullies from suburban town
Lyubertsy of Moscow). The Old Arbat and “Moloko”, that were the spivvery mecca for the representatives of many styles and
movements became home of the closest to its western original manifestation of
hip-hop style with all its attributes: “Americanized” style clothing, rap,
spivvery and “breakdance”. Later
representatives of this movement joined the ranks of skaters, ravers and
orthodox hip-hoppers, some of them made a footing on the club dance scene of the 90-s and now have their own dancing
schools.
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